To what extent are acoustic practices embodied? How does physical embodiment shape auditory cognition? What role do processes such as biofeedback and genetic algorithms play in contemporary musical practices? What kinds of idealised listening subjects are encoded in acoustic algorithms such as codecs, head-related transfer functions or binaural recording specifications? How are psychoacoustic effects deployed for and against the body? How might we speak about listening practices that extend beyond the ear to sensorial or haptic accounts of audition?
The inaugural issue of Interference investigates the mediative role of the body in sonic practices. Embodied mediation presumes a reciprocal process: we explore how listening experiences and acoustic practices are shaped by corporeality, but we also attend to the many ways in which these processes work upon that body, through psychophysical affect and the representation and encoding of embodied subjects in acoustic performances, technologies, and cultural artefacts. Submissions may take the form of academic articles or statements of research and practice. For more information see the submission guidelines.
Proposals for this issue of Interference might address, but not exclusively, some of the following issues and points of discussion:
- Research in Embodied Music Cognition
- Phenomenology of Sound
- Biofeedback: the role played by corporeality in sonic arts, musical practices, performance and design
- Sonic Dominance: the use of acoustic properties as affective tools
- Sonic Mediations: Exploring the mediative role of the body between cognitive response and acoustic environment. Exploring the relationship between the body and tools for acoustic composition and performance.
- Encoding Bodies: An exploration of how the body might be represented or encoded in practices as diverse as instrument design, networked performances, psychoacoustic algorithms etc.
- Haptic or intersensory listening practices
Deadline for submission of Abstracts of 250 words October 31st 2010
Deadline for Completed Papers January 15th 2011
Submissions can be made to email@example.com
Publication aimed for Spring 2011
For more information, and submission guidelines please se the Submission Guidelines or contact firstname.lastname@example.org